Artist Carey Young has chosen 19 emerging artists for Bow Arts’ annual Open Show with a call for works that respond to “our current political moment”. Choosing from some of the charity’s near 500 studio holders, many of whom are showing new pieces, the result is a selection of artistic works which engage with varied political themes including politics, migration, gender identity, borders and climate change; poignantly and critically addressing some of today’s most pressing cultural conversations.
Young, whose own practice has developed from a cross-fertilisation of disciplines including law, politics and business, has made a selection that explores these themes in varied and often witty ways. Lindsey Maclean’s painting ‘Salome on the Underground’ (2017) presents a seated, nonchalant young woman on the Tube, her plastic bag holding the head of a man, while Marcus Orlandi’s papier-mache sculpture ‘Man Sandwich’ wittily presents a ham sandwich as if also, somehow, a codpiece – sending up male vulnerability. In ‘Insulae’ (2019), an innovative new video work investigating the idea of an ‘island mentality’ by Nye Thompson, Google Earth has been repurposed to create a video artwork in which we fly over the waters just off the British mainland. In contrast, ‘Performing Identities’ (2017-18) by Almudena Romero uses an archaic tintype photographic process associated with the Victorian era to photograph people who consider themselves immigrants.
Victoria Burgher’s ceramic installation ‘Surviving’ (2019) has been laminated with golden survival blankets, and displayed like an archaeological find, as if re-examining this symbol of migration so familiar from recent news. Tai Tran also considers his own identity as an immigrant in his collage ‘The Golden Thread 1’, using torn imagery of the Statue of Liberty to consider the relations between myth and reality. Additionally, Bernie Clarkson’s witty painting ‘A cry for something to be done’ (2010) is a faux-naïve, colourful portrait of an older woman, head in hands, as if totally exhausted by the current state of the world.
The Bow Open Show is the only exhibition in the Nunnery’s programme to present Bow Arts studio artists exclusively, and is highly anticipated for presenting some of London’s most exciting and recent artwork.
Carey Young is a visual artist based in London. She has developed her artistic practice from a cross-fertilisation of disciplines including law, business and politics. Working across various media including performance, installation, text and sound, her recent videos and photographic works consider the complex relations between gender, law and the cinematic. Young’s work has been exhibited widely, including solo shows at Towner Art Gallery (Eastbourne), Dallas Museum of Art, Migros Museum für Gegenwartskunst (Zurich), The Power Plant (Toronto), Contemporary Art Museum St. Louis and Eastside Projects (Birmingham), and group shows at Centre Georges Pompidou (Paris and Brussels), Tate Britain, Walker Art Center (Minneapolis), Hayward Gallery and Tate Liverpool amongst many others. She is represented by Paula Cooper Gallery, New York.
Images, from top: Almudena Romero Performing Identities, Nye Thompson Insulae.
Nunnery Gallery has step-free access throughout from street level, including to the accessible toilet, and is service animal friendly. This venue does not have a hearing loop system.
Accessible parking is not available on-site but blue badge parking can be found 500m away on Fairfield Road.
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Opening hours: Tues-Sun, 10am to 5pm
Address: Nunnery Gallery, 181 Bow Road, London, E3 2SJ
Nearest station(s): Bow Road (District and Hammersmith and City lines) is a 6-minute walk away, and Bow Church (DLR) is a 3-minute walk away.
Bus: 205, 25, 425, A8, D8, 108, 276, 488 and 8 all service the surrounding area.