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The Space Between | Joseph Griffiths and the Exbury Egg

Submitted by Nunnery Gallery on Mon, 28/10/2019 - 11:52

The Space Between is an exploration of words, active listening and conversation taking place over a period of a year.

The project is run in conjunction with fellow artist Stephen Turner and his Exbury Egg. Also known as ‘The Eggman’, Stephen has brought his Exbury Egg to Thamesmead as part of his international project, ‘Natura Prima?’ in partnership with Bow Arts and the Bevilacqua La Masa Foundation (Venice, Italy). The Exbury Egg, located on the grounds of the Lakeside Centre, will act as a conversational tool and meeting space for artists and the local community.

The collaboration between Stephen and Joseph will see Joseph facilitate a series of discussions around themes that align both artists’ practices, including those of home, arrival, disconnect and the environment. All are welcome to these discussions – details of the dates / themes are below.

Joseph will also be continuing his exploration of written text or words as material as part of the project and will regularly share work here.

Egg Sessions

Joseph’s participatory group sessions are not planned beyond the proposed theme pre-set as a suggested point of departure. They have been initiated as a way to develop and explore group conversation and active listening within the unique environment of Stephen’s Exbury Egg. Everyone is welcome.

As your way of contribution, please bring along an idea, a text, a thought, an object, or simply an inclination or feeling that you think may relate to the proposed discussion theme.

Booking is essential. For further details and to book places please see the eventbrite page.

1. Where is There?
Thursday 21st November 2019

The first session will explore 'Where is there?', exploring unattainable spaces and objects.

The Object that is unattainable is Hypothetical as it can not be touched. The Place that is unattainable is Hypothetical as it cannot be inhabited. Neither can be wholly experienced. They exist primarily as an idea. Certain landscapes lend themselves to this way of seeing. One of the most celebrated is Venice, another, as I have recently discovered, is Thamesmead. A commonality in both landscapes is water – which in spatial terms – leads to physically isolated areas of land which can often be inhabited through imagination alone. This first session explores these unattainable spaces/objects, all of the questions that they raise and the ways in which they may be interpreted from beyond their remit.

2. Productivity/Output within the Art Practice
Thursday 12th December 2019


The second session will look at the role of the artist in the current context of the world's environmental and consumerist challenges.

In the context of consumerism and the environmental emergency that is currently unfolding around us, Joseph has begun to heavily question the role of production and the value of so called “productivity” within art practice and life in more general terms. With so much stuff already in the world and the negative impact that the creation and dissemination of all of this stuff is causing – Joseph proposes that we ask why, as artists, would we want to contribute further to that? How can we address these issues with sensitivity whilst continuing our lives? What is the role of the artist, if any, to address and challenge these issues through our practices?

Practical Considerations

Each sitting will consist of 12 people and so it is really important that you return your ticket if you are no longer able to attend so that each session remains a full group.

3 hours are allowed for evening sessions and 4 hours for daytime sessions, which also include a walking tour of the area. However, end times are not fixed and to some extent will depend upon the outcomes of the session.

Snacks and drinks will be provided. As some events take place over a meal time, please feel free to bring food (preferable vegetarian friendly) to share with the group. However, do not let this deter you from booking if you are unable to do so!

We will spend the sessions inside the Exbury Egg. There will be some chairs but some people may need to sit on cushions on the floor. The space is quite compact and access is via a run steps. If you have any access requirements or concerns about the space, please do not hesitate to get in touch. Please note that the Exbury Egg is located on the grounds of a studio complex with accessible toilets onsite and spaces to stretch your legs / get a change of scenery if required.


Joseph Griffiths is an artist and writer living and working in London, UK.
Born in Newport, S. Wales: 1987

Studied at:
University of Wales Cardiff: 2005 - 2006
The Slade School of Fine Art: 2007 - 2011

General Practice

Within his practice, Joseph broadly works between the binary oppositions of Flatness and Objecthood, the Literal and the Metaphoric, the Hypothetical and the Actual.

With a focus on resourcefulness, Joseph approaches materiality through gathering, ordering and a process of reduction of physical and non-physical matter which he draws from his everyday environment. In doing so, Joseph explores the ideas of Equivalence and the Arbitrary. Furthermore, he has also begun to question the function of visual Language and its limitations in an attempt to emphasise the significance of an artistic Approach over a physical Output. His work can take the form of arranged objects, text, surface or simply exist as a conversation.

The project is supported by Bow Arts and Arts Council England.